Cup with polychrome decoration has istoriato majolica Urbino
\nrepresenting the judgment of Solomon. Inscription on the back \u00ab\u00a0Sotezin
\nSalamone \/ doidone gel \/ 1551\u00a0\u00bb. 16th century.
\nThe general impression, the composition of the scene, the disposition of
\n the characters, their expressive treatment recalls the manner of the
\npainter of Zenobia in Pesaro.
\nDiameter: 25 cm.
\nSeveral pieces reattached and gaps in the pedestal restored.<\/p>\n
References: an Urbino dish bearing the inscription Moise Accipie tabules
\n \/\/ A deo and the date 1551 is on display at the Anton Ulrich Museum in
\nBraunschweig: Johanna lessmann, Italian Majolica, Catalog of the
\nCollection, Braunschweig 1979 p. 272, No. 325. It is probably part of a
\nset and must come from the same workshop as our cut. Their inscriptions
\nseem identical. From the workshop of the painter of zenobia in the
\ncollection Gillet in Lyon: Carola Fiocco, Gabriella Gherardi, Liliane
\nSfeir-Fakhri, Italian Majoliques of the Museum of Decorative Arts of
\nLyon, Gillet Collection n \u00b0 120, 121 and 122 p.182 at 185, Ed. Faton,
\nDijon 2001.<\/p>\n","protected":false},"excerpt":{"rendered":"
Coupe \u00e0 d\u00e9cor polychrome a istoriato en majolique d’Urbino
\nrepr\u00e9sentant le jugement de Salomon. Inscription au dos Sotezin de
\nSalamone \/ de gele doidone \/ 1551. XVIe si\u00e8cle.
\nL’impression g\u00e9n\u00e9rale, la composition de le sc\u00e8ne, la disposition des
\npersonnages, leur traitement enlev\u00e9 et expressif rappellent la mani\u00e8re
\ndu peintre de Z\u00e9nobie \u00e0 Pesaro.
\nDiam\u00e8tre : 25 cm.
\nPlusieurs morceaux recoll\u00e9s et lacunes au pi\u00e9douche restaur\u00e9es.<\/p>\n
R\u00e9f\u00e9rences: un plat d’Urbino portant l’inscription Moise Accipie tabules
\n \/\/ A deo et la date 1551 est expos\u00e9 au Mus\u00e9e Anton Ulrich de
\nBraunschweig : Johanna lessmann, Majoliques Italiennes, Catalogue de la
\nCollection, Braunschweig 1979 p. 272, n\u00b0325. Il fait probablement partie
\n d’un ensemble et doit provenir du m\u00eame atelier que notre coupe. Leurs
\ninscriptions semblent identiques. Des plats de l’atelier du peintre de
\nz\u00e9nobie dans la collection Gillet \u00e0 Lyon : Carola Fiocco, Gabriella
\nGherardi, Liliane Sfeir-Fakhri, Majoliques Italiennes du Mus\u00e9e des Arts D\u00e9coratif de Lyon, Collection Gillet n\u00b0 120, 121 et 122 p.182 \u00e0 185, Ed. Faton, Dijon 2001. <\/p>\n